LOADING DATA
Drouth
Members | |
---|---|
Current | |
Patrick Fiorentino | Drums (2014-present) |
Member(bands): Scourge Schematic, Contempt, Black Queen, Salo, Vermin Womb | |
Matt Stikker | Vocals, Guitars (2014-present) |
Member(bands): Iron Scepter, Arterial Spray, The Metal Shakespeare Company, Contempt, Dagger of the Mind, Stovokor | |
Tyler Wolfe | Bass (2018-present) |
Member(bands): Petrification, Worthless Eaters | |
John Edwards | Guitars (2018-present) |
Member(bands): Forever Mourne, Resigned to Fate, Satanarchist, Spectral Tombs, Dagon | |
Past | |
Corey Dieckman | Bass (?-2018) |
Matt Eiseman | Guitars (?-2018) |
Member(bands): Tithe, Infinite Waste, Hands of Thieves, Burning Monk | |
Dylan Morris | Bass (2014-?) |
Member(bands): Iron Scepter, Contempt | |
Chris Conway | Guitar (2014-?) |
Member(bands): Contempt |
# | Discography | Type | Year | |
---|---|---|---|---|
1 | Vast, Loathsome | EP | 2015 | Show album |
2 | Knives, Labyrinths, Mirrors | Full-length | 2017 | Show album |
3 | Excerpts from a Dread Liturgy | Full-length | 2020 | Show album |
Vast, Loathsome
Album versions
Release date | Label | Catalog ID | Format | Description |
---|---|---|---|---|
May 26th, 2015 | Independent | Digital | Bandcamp | |
June 23rd, 2015 | Independent | Cassette | Limited edition, black cassette |
Members | |
---|---|
Band members | |
Dylan Morris | Bass |
Patrick Fiorentino | Drums |
Chris Conway | Guitars |
Matt Stikker | Lyrics, Vocals, Guitars |
Miscellaneous staff | |
Matt Stikker | Artwork, Layout |
Teeth Engraved | Mixing (track 2) |
Fester | Recording, Mixing |
Ryan Foster | Mastering |
Tracks | |||
---|---|---|---|
1. | Vast, Loathsome | 08:04 | Show lyrics |
Pale chalice before me, oracle or orifice / Cold blood stirring on the damp side of the glass / Pale sheets and knotted limbs, the light a yellow haze / I see rows of crosses kneeling by tendrils of grey // That which is broken of spirit shall ever fractured be / That which is bent ever kneel before the scythe / Smile and grasp the knife as the blood pools, an infinite well / A certain death, an endless hell // I recall this house at the edge of my perception / A blanket of lead draped across my sodden shoulders / Is this the place where the fog parted in my nightmare? / The place of the pines—blighted, bent, conjoined like frozen limbs // Fences coiling, ensnaring their surveyors / Trapped like ships between the tides / Slipping downward, broken on the great wheel / But at the surface the fog is lifting / Wade into the yawning gulf / Wrest me from the jaws of sleep / Speak into my mouth // Face up in a loathsome dawn / Days pass, wracked and endless / Sour thirst thick upon my tongue / Last breath a pill I dare not swallow still // Face down like a wounded rat / Crushed leg dragging ever greater circles / Grasp the knife as the blood pours still / Vast wound, infinite well / A certain death, an endless hell. ... "Era inútil golpear con el dedo en el cristal, delante de sus caras no se adverti a la menor reacción. Los ojos de oro seguían ardiendo con su dulce, terrible luz; seguían mirándome desde una profundidad insondable que me daba vertigo." |
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2. | Orb Weaver | 02:43 | Show lyrics |
"One characteristic of hell is its unreality, which might be thought to mitigate hell’s terrors but perhaps makes them all the worse." | |||
3. | Nine Circles by Starlight | 06:18 | Show lyrics |
Cold constellations / Pale, leering and eerie / In their streaming vault of ichor / Green, loathsome, now growing too close to be denied // Wrenched through the canvas / Into the maw of winter / Howling its sharp dismal terror / Tossed, blown like leaves before a cosmic gale // The pass, place of ill omen / Girded in obscure tongues / Gather your ashen cloak / Weaver of mortal thread / We, the oblation upon your slope / In blood beneath the starlight / Nine throats that whisper as one / Arrayed here upon you in caskets of ice // None shall thaw // Some pages once written can never be erased / Some words once spoken can never be unsaid / Some blood once spilled can never be cleaned, never made whole / Some doors once open can never be closed again. ... "Just before dawn Arcturus winks ruddily from above the cemetery on the low hillock, and Coma Berenices shimmers weirdly afar off in the mysterious east; but still the Pole Star leers down from the same place in the black vault, winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey. Sometimes, when it is cloudy, I can sleep." |
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17:05 |
Knives, Labyrinths, Mirrors
Album versions
Release date | Label | Catalog ID | Format | Description |
---|---|---|---|---|
September 18th, 2017 | Independent | Digital | Bandcamp | |
September 18th, 2017 | Independent | Cassette | Limited edition, red cassette |
Members | |
---|---|
Band members | |
Corey Dieckman | Bass |
Matt Eiseman | Guitars |
Patrick Fiorentino | Drums |
Matt Stikker | Lyrics, Vocals, Guitars |
Miscellaneous staff | |
Andrew Grosse | Engineering |
Ryan Foster | Mastering |
Fester | Engineering, Mixing |
Matt Stikker | Cover art |
Tracks | |||
---|---|---|---|
1. | Horse Crippler | 06:01 | Show lyrics |
Dust and dusky archways stooped in the low smoking sundown/Red thrum of insects, quiet street beyond time-dappled with ruin/Pattern of the frost upon his open lips/Lying, hands outstretched, back shattered by a crippled/Horse, eyes whirling, writhing in a thicket of mesquite/Till you wake with the heaving of its pulse and the terrible certainty of its existence/A secret and subtle Judas/Wayward, grasping nail/Coiled without intent, compassion, malice, will or reason/A beckoning window, a crumbling staircase falls/Such a small spine that lames the mount/Ground’s rush to greet the rider/From a womb of stillness and ashen grit/Its birth portends infinite endings/Sunstroke, hunger, nest of hornets/Reeling at the yawning precipice/Frail lattice of causality, glass cold against your teeth/Gazing out the door across the hill, into the great howling grayness beyond/Astride a rotten tree hanging over a flooded embankment/Its branches dip the churning darkness and slip into the wash/We slip into the roaring wash. — “This is the great reward. Maybe this is the only reward. Maybe this is the final purity all ringed with filth.” |
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2. | Basilisk//Basilica | 04:19 | Show lyrics |
Moaning winds and burning exhaust/Desiccated husks on hot pavement/The wreckage of life deferred/A ledger of accusation/Of cicadas and dust, copulation and opulence in the breath of madness/We, the excrement of new gods and primal fears/Terribilis set locus iste; hic domus dei est, et porta caeli/So long as you endure/Ever-warping enormity/There is no courage or joy/A chaos of form, poisoning all futures, polluting all past/The great reward of filth and splendid collapse/Wrath and revulsion, our cathedral is burning. — “Esta Ciudad (pensé) es tan horrible que su mera existencia y perduración, aunque en el centro de un desierto secreto, contamina el pasado y el porvenir y de algún modo compromete a los astros. Mientras perdure, nadie en el mundo podrá ser valeroso o feliz.” |
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3. | A Shrine of Severed Tongues | 05:16 | Show lyrics |
Dragged across a carpet of knives slick with marrow/Blood pooling black in formless void/A tombworld of rusting arms locked in frigid lust/In the maw of restless and beguiling night/Great unmaker, face leering from every mirror/A reliquary carved in skin/What confinement more repulsive than eternal life?/Crushed in the square under a mob of torches, wrists extended/Shackled with craven pieties and desperate psalms/In this world of the wheel/Of the rack, the crown and the axe/Of brother turning ever cruelly on his sister/This oubliette, cold lungs of a breathless god/Narcissus in a pool of dust/Exquisite corpse, ragged husk, gilded and burning still/As tongues severed from gaping jaws/Lips carved in mockeries of flesh/Divorced from the divine/A rapture of ignorance and splendor/The smell of petrichor and brass/Bile and butter, rancid and black/Of orchids, asphalt, mildew and semen/Of failure flensing the pride from man forever. — “‘I have a competition in me. I want no one else to succeed. I hate most people.’ ‘That part of me is gone. Working and not succeeding—all my…failures have left me…I just don’t…care.’" |
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4. | Right Hand of the Adversary | 05:33 | Show lyrics |
Crawling in thirst upon the edge of a vast and barren shoreline/The spines of a hundred keels arrayed in supplicant posture/A receded mirror curdled in our noxious reflection/There has been no water here for many lifetimes/A trail of vermillion blooms in the dust weave toward the skyline/A bloody skin and a line of tracks in the unblinking salt/This wretched dismal hole of man forever warring/Each screaming, lonesome birth a fistful of windblown sand/A brazen bull/Victim and torturer/Mouth full of blood/Lungs full of ash/Whirling—writhing—crushing—joining/A squirming mass of dogs/Their jaws locked around each other’s throat/A hydra with ten billion faces/Ripping at its own belly, clutching its adversary till its last breath is crushed out of its entrails/The sins of the father visited tenfold upon the son/Let them speak of you: “Rejoice, for he has wrought this world’s cremation.” — "Hell has no limits, nor is circumscribed; for where we are is Hell, and where Hell is, there we must be." |
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5. | The Disquieting Muses | 04:54 | Show lyrics |
Haze lifting, the shifting AM static/Awaken to taillights melting in the fog/Vision snaps to a shadowed and expressionless figure/Flickering and looming black beyond the glass/Hands suddenly aware/On the wheel, rigid and swerving to the shoulder/Shake, smoking and helpless in the roadside dark/A rusty sob, or a laugh like bricks on pavement/Same wretched glimpse/Spiral into nightmare/Fettered to a corpse/A tether of atrocity/With traitor’s feet slouching on toward Bethlehem/Stealing coastward in unconscious hours/Gripped by magnetic impulse in reluctant flesh/Scaled, stygian muscle churning and thrashing on a hook/Bilious glow shimmering/Over the trees, neither dawn nor sunset/Foaming surf in clammy fingers/Clutching at uncertain earth/The dream will repeat/Fettered to a corpse/The afterbirth of a plagued and quaking cosmos/Slither out in its convulsions, trickling into ether/The sermon inscribed in our marrow, it is not god/An oddly-shaped silhouette and the shivering of a severed hand/Nailed to a tree. — “Et quid amabo nisi quod ænigma est?” |
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6. | Burial Mounds | 07:45 | Show lyrics |
Creeks of filth in muted canyons/Starving coyotes and unsmiling heat/Scrabbling over vicious crevasse/A melting roadway of shimmering black tar/Pinnacle and terminus/Devolution and ataraxy/Beyond the fence, the mouth of the cave/Its stony gullet a prefiguration of hell/Forever waiting, ceaseless and unburied/Airless hexagrams repeating, unfolding/Years tallied by nails in a cross of iron/As this sanctuary turned sarcophagus/A place of time curled like paper in a furnace/A labyrinth, a warning, a monument mortared with ash/Children’s remains curled beneath the images/Of a sickly cloud blooming bright in the desert/A proud banner faded to pale surrender/Eagle’s talons, Noah’s branch and fate’s arrows of holy war. — “We march in spite of Hell, we do—Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries.” |
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33:48 |
Excerpts from a Dread Liturgy
Members | |
---|---|
Band members | |
Patrick Fiorentino | Drums |
Matt Stikker | Guitars, Vocals |
Tyler Wolfe | Bass |
John Edwards | Guitars, Vocals |
Miscellaneous staff | |
Matt Stikker | Artwork |
Raya Jade | Photography |
Fester | Recording, Mixing |
Ryan Foster | Mastering |
Tracks | |||
---|---|---|---|
1. | A Drowning in Sunlight | 08:30 | Show lyrics |
Scarcely I slept, restless and fitful / Tossed ashore by oneiric tides / Waking, walking, sand in my hair / Blood shivering in the dark I have held my heart in my hands / Tested its sustenance, useless and cold / Crouching among the circle of stones / Flickering stars merely pinpricks of regret Dreaming — the stark and sunlit threshold/Over and over — slipping closer to the door I transmute delirium to substance / Dripping with sweat, cursed and feeble / I cannot recall the form of a tiger / The fragrance of wood, the slickness of deceit I reject, I deny, I lament that which I create / Curling inward, cowering from light/Lurching from idyll again into ruination I drag my raft by night to the current’s edge/Shoreline strewn with glass, like fistfuls of teeth / Cast upon wine-dark seas of time/Over the scuttling things that wreathe the innards of the earth Behold the sum of man, behold the price of rest / One forbidden sight, one familiar sin / To soar into the sun, to crush that which you hold most dear I have felt its breath in my sleeping mouth / A bitter taste I cannot coax or reproduce / Now, dragged into the moaning daylight / I feel it slip forever from my trembling hands For each attempt to produce a form in perfect structure / The more distended and grotesque my progeny / I resign myself to slump at last into the pyre / But with relief, with humility, with terror I am unharmed Steady my hand, light of the morning / Denuder of self, destroyer of all, deposer of kings, diminisher of man. |
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2. | An Apiarist | 09:51 | |
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3. | O Time Thy Pyramids - An Unfinished Nightmare | 07:23 | |
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4. | A Repulsive Act Shrouded in Flesh | 08:13 | |
(loading lyrics...) | |||
5. | A Crown of Asphodels | 06:28 | |
(loading lyrics...) | |||
40:25 |
Vast, Loathsome
Members | |
---|---|
Band members | |
Dylan Morris | Bass |
Patrick Fiorentino | Drums |
Chris Conway | Guitars |
Matt Stikker | Lyrics, Vocals, Guitars |
Miscellaneous staff | |
Matt Stikker | Artwork, Layout |
Teeth Engraved | Mixing (track 2) |
Fester | Recording, Mixing |
Ryan Foster | Mastering |
Tracks | |||
---|---|---|---|
1. | Vast, Loathsome | 08:04 | Show lyrics |
Pale chalice before me, oracle or orifice / Cold blood stirring on the damp side of the glass / Pale sheets and knotted limbs, the light a yellow haze / I see rows of crosses kneeling by tendrils of grey // That which is broken of spirit shall ever fractured be / That which is bent ever kneel before the scythe / Smile and grasp the knife as the blood pools, an infinite well / A certain death, an endless hell // I recall this house at the edge of my perception / A blanket of lead draped across my sodden shoulders / Is this the place where the fog parted in my nightmare? / The place of the pines—blighted, bent, conjoined like frozen limbs // Fences coiling, ensnaring their surveyors / Trapped like ships between the tides / Slipping downward, broken on the great wheel / But at the surface the fog is lifting / Wade into the yawning gulf / Wrest me from the jaws of sleep / Speak into my mouth // Face up in a loathsome dawn / Days pass, wracked and endless / Sour thirst thick upon my tongue / Last breath a pill I dare not swallow still // Face down like a wounded rat / Crushed leg dragging ever greater circles / Grasp the knife as the blood pours still / Vast wound, infinite well / A certain death, an endless hell. ... "Era inútil golpear con el dedo en el cristal, delante de sus caras no se adverti a la menor reacción. Los ojos de oro seguían ardiendo con su dulce, terrible luz; seguían mirándome desde una profundidad insondable que me daba vertigo." |
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2. | Orb Weaver | 02:43 | Show lyrics |
"One characteristic of hell is its unreality, which might be thought to mitigate hell’s terrors but perhaps makes them all the worse." | |||
3. | Nine Circles by Starlight | 06:18 | Show lyrics |
Cold constellations / Pale, leering and eerie / In their streaming vault of ichor / Green, loathsome, now growing too close to be denied // Wrenched through the canvas / Into the maw of winter / Howling its sharp dismal terror / Tossed, blown like leaves before a cosmic gale // The pass, place of ill omen / Girded in obscure tongues / Gather your ashen cloak / Weaver of mortal thread / We, the oblation upon your slope / In blood beneath the starlight / Nine throats that whisper as one / Arrayed here upon you in caskets of ice // None shall thaw // Some pages once written can never be erased / Some words once spoken can never be unsaid / Some blood once spilled can never be cleaned, never made whole / Some doors once open can never be closed again. ... "Just before dawn Arcturus winks ruddily from above the cemetery on the low hillock, and Coma Berenices shimmers weirdly afar off in the mysterious east; but still the Pole Star leers down from the same place in the black vault, winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey. Sometimes, when it is cloudy, I can sleep." |
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17:05 |
Vast, Loathsome
Members | |
---|---|
Original line-up | |
Band members | |
Dylan Morris | Bass |
Patrick Fiorentino | Drums |
Chris Conway | Guitars |
Matt Stikker | Lyrics, Vocals, Guitars |
Miscellaneous staff | |
Teeth Engraved | Mixing (track 2) |
Fester | Recording, Mixing |
Ryan Foster | Mastering |
Matt Stikker | Artwork, Layout |
Tracks | |||
---|---|---|---|
1. | Vast, Loathsome | 08:04 | Show lyrics |
Pale chalice before me, oracle or orifice / Cold blood stirring on the damp side of the glass / Pale sheets and knotted limbs, the light a yellow haze / I see rows of crosses kneeling by tendrils of grey // That which is broken of spirit shall ever fractured be / That which is bent ever kneel before the scythe / Smile and grasp the knife as the blood pools, an infinite well / A certain death, an endless hell // I recall this house at the edge of my perception / A blanket of lead draped across my sodden shoulders / Is this the place where the fog parted in my nightmare? / The place of the pines—blighted, bent, conjoined like frozen limbs // Fences coiling, ensnaring their surveyors / Trapped like ships between the tides / Slipping downward, broken on the great wheel / But at the surface the fog is lifting / Wade into the yawning gulf / Wrest me from the jaws of sleep / Speak into my mouth // Face up in a loathsome dawn / Days pass, wracked and endless / Sour thirst thick upon my tongue / Last breath a pill I dare not swallow still // Face down like a wounded rat / Crushed leg dragging ever greater circles / Grasp the knife as the blood pours still / Vast wound, infinite well / A certain death, an endless hell. ... "Era inútil golpear con el dedo en el cristal, delante de sus caras no se adverti a la menor reacción. Los ojos de oro seguían ardiendo con su dulce, terrible luz; seguían mirándome desde una profundidad insondable que me daba vertigo." |
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2. | Orb Weaver | 02:43 | Show lyrics |
"One characteristic of hell is its unreality, which might be thought to mitigate hell’s terrors but perhaps makes them all the worse." | |||
3. | Nine Circles by Starlight | 06:18 | Show lyrics |
Cold constellations / Pale, leering and eerie / In their streaming vault of ichor / Green, loathsome, now growing too close to be denied // Wrenched through the canvas / Into the maw of winter / Howling its sharp dismal terror / Tossed, blown like leaves before a cosmic gale // The pass, place of ill omen / Girded in obscure tongues / Gather your ashen cloak / Weaver of mortal thread / We, the oblation upon your slope / In blood beneath the starlight / Nine throats that whisper as one / Arrayed here upon you in caskets of ice // None shall thaw // Some pages once written can never be erased / Some words once spoken can never be unsaid / Some blood once spilled can never be cleaned, never made whole / Some doors once open can never be closed again. ... "Just before dawn Arcturus winks ruddily from above the cemetery on the low hillock, and Coma Berenices shimmers weirdly afar off in the mysterious east; but still the Pole Star leers down from the same place in the black vault, winking hideously like an insane watching eye which strives to convey some strange message, yet recalls nothing save that it once had a message to convey. Sometimes, when it is cloudy, I can sleep." |
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17:05 |
Knives, Labyrinths, Mirrors
Members | |
---|---|
Band members | |
Corey Dieckman | Bass |
Matt Eiseman | Guitars |
Patrick Fiorentino | Drums |
Matt Stikker | Lyrics, Vocals, Guitars |
Miscellaneous staff | |
Andrew Grosse | Engineering |
Ryan Foster | Mastering |
Fester | Engineering, Mixing |
Matt Stikker | Cover art |
Tracks | |||
---|---|---|---|
1. | Horse Crippler | 06:01 | Show lyrics |
Dust and dusky archways stooped in the low smoking sundown/Red thrum of insects, quiet street beyond time-dappled with ruin/Pattern of the frost upon his open lips/Lying, hands outstretched, back shattered by a crippled/Horse, eyes whirling, writhing in a thicket of mesquite/Till you wake with the heaving of its pulse and the terrible certainty of its existence/A secret and subtle Judas/Wayward, grasping nail/Coiled without intent, compassion, malice, will or reason/A beckoning window, a crumbling staircase falls/Such a small spine that lames the mount/Ground’s rush to greet the rider/From a womb of stillness and ashen grit/Its birth portends infinite endings/Sunstroke, hunger, nest of hornets/Reeling at the yawning precipice/Frail lattice of causality, glass cold against your teeth/Gazing out the door across the hill, into the great howling grayness beyond/Astride a rotten tree hanging over a flooded embankment/Its branches dip the churning darkness and slip into the wash/We slip into the roaring wash. — “This is the great reward. Maybe this is the only reward. Maybe this is the final purity all ringed with filth.” |
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2. | Basilisk//Basilica | 04:19 | Show lyrics |
Moaning winds and burning exhaust/Desiccated husks on hot pavement/The wreckage of life deferred/A ledger of accusation/Of cicadas and dust, copulation and opulence in the breath of madness/We, the excrement of new gods and primal fears/Terribilis set locus iste; hic domus dei est, et porta caeli/So long as you endure/Ever-warping enormity/There is no courage or joy/A chaos of form, poisoning all futures, polluting all past/The great reward of filth and splendid collapse/Wrath and revulsion, our cathedral is burning. — “Esta Ciudad (pensé) es tan horrible que su mera existencia y perduración, aunque en el centro de un desierto secreto, contamina el pasado y el porvenir y de algún modo compromete a los astros. Mientras perdure, nadie en el mundo podrá ser valeroso o feliz.” |
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3. | A Shrine of Severed Tongues | 05:16 | Show lyrics |
Dragged across a carpet of knives slick with marrow/Blood pooling black in formless void/A tombworld of rusting arms locked in frigid lust/In the maw of restless and beguiling night/Great unmaker, face leering from every mirror/A reliquary carved in skin/What confinement more repulsive than eternal life?/Crushed in the square under a mob of torches, wrists extended/Shackled with craven pieties and desperate psalms/In this world of the wheel/Of the rack, the crown and the axe/Of brother turning ever cruelly on his sister/This oubliette, cold lungs of a breathless god/Narcissus in a pool of dust/Exquisite corpse, ragged husk, gilded and burning still/As tongues severed from gaping jaws/Lips carved in mockeries of flesh/Divorced from the divine/A rapture of ignorance and splendor/The smell of petrichor and brass/Bile and butter, rancid and black/Of orchids, asphalt, mildew and semen/Of failure flensing the pride from man forever. — “‘I have a competition in me. I want no one else to succeed. I hate most people.’ ‘That part of me is gone. Working and not succeeding—all my…failures have left me…I just don’t…care.’" |
|||
4. | Right Hand of the Adversary | 05:33 | Show lyrics |
Crawling in thirst upon the edge of a vast and barren shoreline/The spines of a hundred keels arrayed in supplicant posture/A receded mirror curdled in our noxious reflection/There has been no water here for many lifetimes/A trail of vermillion blooms in the dust weave toward the skyline/A bloody skin and a line of tracks in the unblinking salt/This wretched dismal hole of man forever warring/Each screaming, lonesome birth a fistful of windblown sand/A brazen bull/Victim and torturer/Mouth full of blood/Lungs full of ash/Whirling—writhing—crushing—joining/A squirming mass of dogs/Their jaws locked around each other’s throat/A hydra with ten billion faces/Ripping at its own belly, clutching its adversary till its last breath is crushed out of its entrails/The sins of the father visited tenfold upon the son/Let them speak of you: “Rejoice, for he has wrought this world’s cremation.” — "Hell has no limits, nor is circumscribed; for where we are is Hell, and where Hell is, there we must be." |
|||
5. | The Disquieting Muses | 04:54 | Show lyrics |
Haze lifting, the shifting AM static/Awaken to taillights melting in the fog/Vision snaps to a shadowed and expressionless figure/Flickering and looming black beyond the glass/Hands suddenly aware/On the wheel, rigid and swerving to the shoulder/Shake, smoking and helpless in the roadside dark/A rusty sob, or a laugh like bricks on pavement/Same wretched glimpse/Spiral into nightmare/Fettered to a corpse/A tether of atrocity/With traitor’s feet slouching on toward Bethlehem/Stealing coastward in unconscious hours/Gripped by magnetic impulse in reluctant flesh/Scaled, stygian muscle churning and thrashing on a hook/Bilious glow shimmering/Over the trees, neither dawn nor sunset/Foaming surf in clammy fingers/Clutching at uncertain earth/The dream will repeat/Fettered to a corpse/The afterbirth of a plagued and quaking cosmos/Slither out in its convulsions, trickling into ether/The sermon inscribed in our marrow, it is not god/An oddly-shaped silhouette and the shivering of a severed hand/Nailed to a tree. — “Et quid amabo nisi quod ænigma est?” |
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6. | Burial Mounds | 07:45 | Show lyrics |
Creeks of filth in muted canyons/Starving coyotes and unsmiling heat/Scrabbling over vicious crevasse/A melting roadway of shimmering black tar/Pinnacle and terminus/Devolution and ataraxy/Beyond the fence, the mouth of the cave/Its stony gullet a prefiguration of hell/Forever waiting, ceaseless and unburied/Airless hexagrams repeating, unfolding/Years tallied by nails in a cross of iron/As this sanctuary turned sarcophagus/A place of time curled like paper in a furnace/A labyrinth, a warning, a monument mortared with ash/Children’s remains curled beneath the images/Of a sickly cloud blooming bright in the desert/A proud banner faded to pale surrender/Eagle’s talons, Noah’s branch and fate’s arrows of holy war. — “We march in spite of Hell, we do—Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries.” |
|||
33:48 |
Knives, Labyrinths, Mirrors
Members | |
---|---|
Original line-up | |
Band members | |
Matt Stikker | Lyrics, Vocals, Guitars |
Corey Dieckman | Bass |
Matt Eiseman | Guitars |
Patrick Fiorentino | Drums |
Miscellaneous staff | |
Andrew Grosse | Engineering |
Ryan Foster | Mastering |
Fester | Engineering, Mixing |
Matt Stikker | Cover art |
Tracks | |||
---|---|---|---|
1. | Horse Crippler | 06:01 | Show lyrics |
Dust and dusky archways stooped in the low smoking sundown/Red thrum of insects, quiet street beyond time-dappled with ruin/Pattern of the frost upon his open lips/Lying, hands outstretched, back shattered by a crippled/Horse, eyes whirling, writhing in a thicket of mesquite/Till you wake with the heaving of its pulse and the terrible certainty of its existence/A secret and subtle Judas/Wayward, grasping nail/Coiled without intent, compassion, malice, will or reason/A beckoning window, a crumbling staircase falls/Such a small spine that lames the mount/Ground’s rush to greet the rider/From a womb of stillness and ashen grit/Its birth portends infinite endings/Sunstroke, hunger, nest of hornets/Reeling at the yawning precipice/Frail lattice of causality, glass cold against your teeth/Gazing out the door across the hill, into the great howling grayness beyond/Astride a rotten tree hanging over a flooded embankment/Its branches dip the churning darkness and slip into the wash/We slip into the roaring wash. — “This is the great reward. Maybe this is the only reward. Maybe this is the final purity all ringed with filth.” |
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2. | Basilisk//Basilica | 04:19 | Show lyrics |
Moaning winds and burning exhaust/Desiccated husks on hot pavement/The wreckage of life deferred/A ledger of accusation/Of cicadas and dust, copulation and opulence in the breath of madness/We, the excrement of new gods and primal fears/Terribilis set locus iste; hic domus dei est, et porta caeli/So long as you endure/Ever-warping enormity/There is no courage or joy/A chaos of form, poisoning all futures, polluting all past/The great reward of filth and splendid collapse/Wrath and revulsion, our cathedral is burning. — “Esta Ciudad (pensé) es tan horrible que su mera existencia y perduración, aunque en el centro de un desierto secreto, contamina el pasado y el porvenir y de algún modo compromete a los astros. Mientras perdure, nadie en el mundo podrá ser valeroso o feliz.” |
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3. | A Shrine of Severed Tongues | 05:16 | Show lyrics |
Dragged across a carpet of knives slick with marrow/Blood pooling black in formless void/A tombworld of rusting arms locked in frigid lust/In the maw of restless and beguiling night/Great unmaker, face leering from every mirror/A reliquary carved in skin/What confinement more repulsive than eternal life?/Crushed in the square under a mob of torches, wrists extended/Shackled with craven pieties and desperate psalms/In this world of the wheel/Of the rack, the crown and the axe/Of brother turning ever cruelly on his sister/This oubliette, cold lungs of a breathless god/Narcissus in a pool of dust/Exquisite corpse, ragged husk, gilded and burning still/As tongues severed from gaping jaws/Lips carved in mockeries of flesh/Divorced from the divine/A rapture of ignorance and splendor/The smell of petrichor and brass/Bile and butter, rancid and black/Of orchids, asphalt, mildew and semen/Of failure flensing the pride from man forever. — “‘I have a competition in me. I want no one else to succeed. I hate most people.’ ‘That part of me is gone. Working and not succeeding—all my…failures have left me…I just don’t…care.’" |
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4. | Right Hand of the Adversary | 05:33 | Show lyrics |
Crawling in thirst upon the edge of a vast and barren shoreline/The spines of a hundred keels arrayed in supplicant posture/A receded mirror curdled in our noxious reflection/There has been no water here for many lifetimes/A trail of vermillion blooms in the dust weave toward the skyline/A bloody skin and a line of tracks in the unblinking salt/This wretched dismal hole of man forever warring/Each screaming, lonesome birth a fistful of windblown sand/A brazen bull/Victim and torturer/Mouth full of blood/Lungs full of ash/Whirling—writhing—crushing—joining/A squirming mass of dogs/Their jaws locked around each other’s throat/A hydra with ten billion faces/Ripping at its own belly, clutching its adversary till its last breath is crushed out of its entrails/The sins of the father visited tenfold upon the son/Let them speak of you: “Rejoice, for he has wrought this world’s cremation.” — "Hell has no limits, nor is circumscribed; for where we are is Hell, and where Hell is, there we must be." |
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5. | The Disquieting Muses | 04:54 | Show lyrics |
Haze lifting, the shifting AM static/Awaken to taillights melting in the fog/Vision snaps to a shadowed and expressionless figure/Flickering and looming black beyond the glass/Hands suddenly aware/On the wheel, rigid and swerving to the shoulder/Shake, smoking and helpless in the roadside dark/A rusty sob, or a laugh like bricks on pavement/Same wretched glimpse/Spiral into nightmare/Fettered to a corpse/A tether of atrocity/With traitor’s feet slouching on toward Bethlehem/Stealing coastward in unconscious hours/Gripped by magnetic impulse in reluctant flesh/Scaled, stygian muscle churning and thrashing on a hook/Bilious glow shimmering/Over the trees, neither dawn nor sunset/Foaming surf in clammy fingers/Clutching at uncertain earth/The dream will repeat/Fettered to a corpse/The afterbirth of a plagued and quaking cosmos/Slither out in its convulsions, trickling into ether/The sermon inscribed in our marrow, it is not god/An oddly-shaped silhouette and the shivering of a severed hand/Nailed to a tree. — “Et quid amabo nisi quod ænigma est?” |
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6. | Burial Mounds | 07:45 | Show lyrics |
Creeks of filth in muted canyons/Starving coyotes and unsmiling heat/Scrabbling over vicious crevasse/A melting roadway of shimmering black tar/Pinnacle and terminus/Devolution and ataraxy/Beyond the fence, the mouth of the cave/Its stony gullet a prefiguration of hell/Forever waiting, ceaseless and unburied/Airless hexagrams repeating, unfolding/Years tallied by nails in a cross of iron/As this sanctuary turned sarcophagus/A place of time curled like paper in a furnace/A labyrinth, a warning, a monument mortared with ash/Children’s remains curled beneath the images/Of a sickly cloud blooming bright in the desert/A proud banner faded to pale surrender/Eagle’s talons, Noah’s branch and fate’s arrows of holy war. — “We march in spite of Hell, we do—Atrophy, Entropy, and Proteus vulgaris, telling bawdy jokes about a farm girl name of Eve and a traveling salesman called Lucifer. We bury your dead and their reputations. We bury you. We are the centuries.” |
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33:48 |
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