LOADING DATA
Ossein
Members | |
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Last known | |
Nile Bowie | Vocals, Instruments, Programming (2006-?) |
Member(bands): Northern Myst, Riders of Odin, Misanthropy Legion, Necrofog | |
Itay Keren | Instruments, Programming (2008-?) |
Member(bands): Afar, Windfaerer, Misanthropy Legion, Northern Myst, Necrofog, Angelcide, Seraphim Lament, Serpentine Gates | |
Matt Noojin | Instruments, Programming (2009-?) |
Member(bands): Riders of Odin | |
Past | |
Eden Lustig | Sound Pad, Samples, Bass, Theramin (2008) |
Member(bands): Riders of Odin, Eraser Eye, Ethereality | |
Lee Lustig | Synths (2008) |
Member(bands): Northern Myst, Riders of Odin, Ethereality |
# | Discography | Type | Year | |
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1 | Demo | Demo | 2006 | Show album |
2 | Declination | Full-length | 2008 | Show album |
3 | Osaka | Full-length | 2008 | Show album |
4 | Führer | Full-length | 2009 | Show album |
5 | Opal Sativa | Full-length | 2009 | Show album |
Demo
Members | |
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Nile Bowie | Vocals, All instruments |
Tracks | |||
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1. | I | 02:05 | |
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2. | II | 04:46 | |
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3. | III | 03:24 | |
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10:15 |
Declination
Members | |
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Nile Bowie | Vocals, All instruments, Programming |
N. Krasilshikov | Programming, Percussion, Guitars (additional) |
Tracks | |||
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1. | Divinity Was Born Between Blue Wings | 12:31 | Show lyrics |
Fragmented, What became of my affinity? For I sought more than reverence An idealist was silenced and withdrawn Enlightment gave birth to recuperation Stride the invertebrates road Inferiority drifts through your veins The sunwheel pivots And your sillhouette is forgotten Advocate your eyes, Closed Resperate your mouth, Shut Over Spoke Word 6:52 Here, Encase me Cut me with the moon I am high enough To kiss the atmosphere Your dead thin hair Accept my fingers You’ll be high enough To open the stich |
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2. | A Fool Sees Not the Same Tree That a Wise Man Sees | 12:52 | Show lyrics |
Cut the grain and harvest the oil Feed the idle minds of majority Bathe in the shit of the weakling Drink from a manufactured beast Fabricate your plastic god Cower out of the shell Sodden an organic revolution Smother the burning bush The genuine harvest is virtue No life shall pass my lips We are sprouts in dirt Bear the spirit, and walk the line Unraveled skin with somber symbols Bodies and human mildew, the mark of man’s devolution Man is the cultivated animal Humanity bleeds arrogance Bleeds the waters of which we caused to melt The leaf is burning, and turning Reverence is lapsed A human shape rotates and reverts On a patterned surface A space were everything flows as it should Become the belle and sink Tonight I will remove the head of a pig A man will die but an animal will live |
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3. | The Road to Awe | 32:13 | Show lyrics |
I crafted an epoch A single move to make Not a worm has emerged Cleansing, despondent dissipation Your fluid has stained me Raised my pustules I’ve found the treatment Now rest in your calamity In the Night, I long to find my soul In the Night, I long to find my soul In the Night, Under The Light An Offering, An Earthy Site Rest, of the flesh to the unborn breed Spontaneity killed the lamb Irregular symmetries foreshadow eradication The just man seeks normality A new sun has risen, separate from its advent Attraction and repulsion fell from the same branch Restrained desire flows in passive streams Construct a domicile devoid of reason Cascade the union of twin psyche Corrode the sensation that bred necessity Deny the bird that craves the worm Persist, the fool to the self inflicted abrasion A bounty, remain a memoir; the personal observation of lust Not man condemns himself, but the trap that caught him Gamble the fortunes of labor, for the fruit has already spoiled Expectation is the crop that killed the harvest Length is the tactic of restraint Absent was the seed within the womb which bred life Imposition tipped the scale of humility Breathe the air of contempt Your memory is nearly faded to me |
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57:36 |
Osaka
Members | |
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Band members | |
Nile Bowie | Vocals, Guitars |
Eden Lustig | Sound pad, Samples |
Lee Lustig | Synths |
Miscellaneous staff | |
Nile Bowie | Artwork |
Tracks | |||
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1. | 愛 (Love) | 06:09 | |
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2. | Ripple | 05:35 | |
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3. | Calmer | 11:56 | |
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4. | Nagaya | 07:20 | |
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5. | Morning | 06:51 | |
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37:51 |
Führer
Members | |
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Band members | |
Nile Bowie | Vocals, Instruments, Programming |
Matt Noojin | Instruments, Programming |
Itay Keren | Instruments, Programming |
Guest/Session | |
Lee Lustig | Synths |
Wraith | Unknown |
Pablo Yanez | Unknown |
Aliya Zlotkin | Unknown |
Tracks | |||
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Disc 1 | |||
1. | Maize in the Afternoon Light | 04:36 | Show lyrics |
Nile Bowie Vocals & Lyrics, Instruments & Production Maize In The Afternoon Light Broken I wait Through dusts & dogs Take the incense I hold in my palm Through hope I got The angle to fly Shut my fingers Let me die The sound of music Playing tricks on my ears I heard the ringing And now I rise |
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2. | All Roads Lead Here | 05:53 | Show lyrics |
Nile Bowie All Performance & Composition, Production All Roads Lead Here A series of moments independently correlate To force the habit of existence An outgrowth of culture In burning shrubbery The necessity of change In Earth we etch a symbol Of words and letters And a memory will never die With pen & paper We are example crafted A perpetual consistency is present We are creatures of habit A daily routine of practice Differ a marked canvas To that of such articulation We smile at the will of curiosity And the challenge the expectation of our being Where footprints mark other surfaces A flower of mortality Sleeping in ribcage diameter Blinded by properties beyond us Each individual in each setting Are seeds planted to interact And of these linear connections A story is set, and fruits develop Think closely about what you leave behind When the day is done, & time is gone Something flows in my blood I cannot define it, but I know it to be true And I know there is something I must do |
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3. | The Incantation of Matter | 07:26 | Show lyrics |
Nile Bowie All Production & Live sound Documentation The Incantation Of Matter SAMPLES TAKEN FROM E. Elias Merhige film "Begotten" © 1991 |
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4. | The Labors of the Blind Eagle | 04:35 | Show lyrics |
Joe Aversario Narrative & Lyrics, Guitar & Composition Nile Bowie Samples & Synth FX, Production & Engineering The Labors Of The Blind Eagle I see the eagle struggle With serpent in it’s talon It battles it’s way against the bird Slowly it takes it’s fatal hold Scales of a greater mind Slowly they take their toll Just once more wouldn’t hurt Nobody would have to know I see the scorpion cry In silent streets of steel Looked down upon by the mechanisan An armor his venom could not pierce why must he carry this burden an expired venom Just once more wouldn’t hurt Nobody would have to know I see the spider’s girth erupt Hundreds of young bellow forth A wave of black consumes the steel A wave of black obstructs the gears I see the tower of flies Rising from great fissures in the earth A wave of black consumes the skies Never again will the eagle fly ORIGINALLY PERFORMED AS "NYMPHOMANIAC" FROM MISANTHROPY LEGION FROM THEIR 2008 LP "EIDOLON" |
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5. | A Priori | 07:18 | Show lyrics |
Itay Keren Programming, Bass & Guitar Nile Bowie Production & Programming, Vocals & Guitar Matt Noojin Lead Guitar A Priori Metaphysics will never put forth it’s full powers so long as it is expected to accommodate itself to dogma. The various religions have taken possession of the metaphysical tendency of mankind, partly by paralyzing it through imprinting their dogmas upon it in the earliest years, partly by forbidding and proscribing all free and uninhibited expression of it: so that free investigation of mans most important and interesting concern, of his existence itself has been in part subjectively impossible by the paralysis referred to; and in this way his most sublime tendency has been put in chains. The discovery of truth is prevented most effectively, not by the false appearance things present and which mislead into error, nor directly into weakness of the reasoning powers, but by preconceived opinion, by prejudice, which as a pseudo a priori stands in the path of truth and is then like a contrary wind driving a ship away from land, so that the sail and rubber labour in vain What light is to the outer world intellect is to the inner world of consciousness for intellect is related to will regarded objectively, in approximately the same way as light is to a combustible body and the oxygen in combination with which it ignites. And as light is the purer the less it is involved with the smoked of the burning body, so also is intelligent the purer the more completely it is separated from the will which engendered it. In a bod metaphor one could even say; life is known to be a process of combustion; intellect is the light produced by this process Every general truth is related to specific truths As gold is to silver, in as much as it can be converted into a considerable number of specific truths which follow from it in the same way as a gold coin can be converted into small change EXCERPTS FROM ARTHUR SCHOPENHAUER’S Essays & Aphorisms: On Philosophy & The Intellect |
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6. | Goose | 03:37 | Show lyrics |
Nile Bowie Vocals & Lyrics, Production Matt Noojin Synth & Composition Goose Our eyes have wandered today We’re coated & wrinkled The bird has gone away I’ve wondered who you really are Nervously peering from afar I am you, and we are one Accretion of an illness, through moon & sun Absent, when my mind is lost I am the man walking tall Irrelevant & incompatible I am the digit & the smear I am the dangling ruby |
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7. | Marble | 09:18 | Show lyrics |
Nile Bowie Composition, Vocals & Instruments, Synth & Live Sound Itay Keren Synth & Programing, Live Sound, Percussion Marble The bone has finally showed Steeped green leaf aroma The powder has lingered It’s face will open The Icon of depravity peers Joy indulged in marble Lucid, in the valley of diamonds A subtle layer of grain A Mask of soil discarding flesh Which resonates, convulsing on earth When the skin will crack A white feather cascades Drapery of hazel Dissect the antonym The cast has been shed Bandage flaked and worn The segment of moisture The throat has been spun The leader rises And drinks of our fruit |
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8. | On the Vanity of Existence | 06:26 | Show lyrics |
Nile Bowie Vocals, Guitar & Synth Matt Noojin Synth & Programming |
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9. | A Paradoxical Tension | 02:54 | Show lyrics |
Nile Bowie All Performance & Composition, Production A Paradoxical Tension A human upheaval correlates With the disintegration of maps Carried on by the immensity of the sea And man creates a new God Above the fossils of our reflection The fluid of life rests within the word Be silent, Become & Be SAMPLE FROM JOHN CAGE "DISCONNECTED" |
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10. | The Conduit Ocean | 04:40 | Show lyrics |
Lee Lustig Piano & Composition Nile Bowie Vocals & Lyrics Matt Noojin Synth The Conduit Ocean I am blank vastness In the eyes of cosm Vibration acceleration In the ocean of matter Above my body Staring into infinity A reflection veers And unrolls it’s pedals I come to a great eye Embraced by the subtleties That make us beautiful The great eye opens We know we are before god Enveloped in hieroglyphics The body unfolds Ancient patterns cascade Million ages unfurl My eyes focus And the third retina opens Amber rain fell before me The sun burned as my god We are laced to the conduits of infinity And I die, And I am reborn Concentration through divinity In our organic bodies We are potential And can see beyond the physical With these connections We enter the palace of truth And ponder the minds nature And the nature of dying |
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11. | The Suffering of Man / Eisenstaedt | 08:59 | Show lyrics |
Matt Noojin Guitar & Composition Pablo Yanez Flute Nile Bowie Vocals, Production & Samples The Suffering Of Man With the animal, present suffering, even if repeated countless times, remains what it was the first time: it cannot sum itself up. Hence the enviable composure and unconcern which characterizes the animal. With man, on the other hand, there evolves out of those elements of pleasure and suffering which he has in common with the animals an intensification of his sensations of happiness with the animal an intensification of his sensations of happiness and misery which can lead to momentary transports which may sometimes even prove fatal, or to suicidal despair. More closely considered, what happens is this: he deliberately intensifies his needs, which are originally scarcely harder to satisfy than those of the animal, so as to intensify his pleasure: hence luxury, confectionery, tobacco, opium, alcoholic drinks, finery, and all that pertains to them. To these is then added, also as a result of reflection EXCERPTS FROM ARTHUR SCHOPENHAUER’S Essays & Aphorisms: On The Suffering Of Man --------------------------------------------------------------------------- Nile Bowie Live Sound & Samples, Production Eisenstaedt SAMPLES TAKEN FROM E. Elias Merhige film "Begotten" © 1991 |
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01:05:42 | |||
Disc 2 | |||
1. | Creator & Destroyer | 05:28 | Show lyrics |
Nile Bowie Programming & Production, Vocals & Lead Guitar (On Destroyer) Matt Noojin Programming, Guitars & Composition Creator & Destroyer Man is all symmetry Full of proportions, one limb to another, And all to all the world besides Each part may call the farthest, brother; For head with foot hath private amity; And both with moons and tides Nothing hath got so far But man hath caught and kept it as his prey; His eyes dismount the highest star: He is little all the sphere. Herbs gladly cure our flesh, because that they find their acquaintance there For us, the winds do blow, the earth doth rest Heaven move and fountains flow. Nothing we see, but means are good As our delight, or as our treasure; The whole is either our cupboard of food, Or cabinet of pleasure, The stars have us to bed Night draws the curtain, which the sun withdraws Music & light, attend our head All things unto our flesh, are kind In their descent, and being: to our mind In their ascent and cause More servants wait on man Than he’ll take notice of. In every path, He treads down that which doth befriend him When sickness makes him pale and wan... Oh mighty love! Man is one world, and hath Another to attend him EXCERPTS FROM RALPH EMERSON’S Selected Essays, Lectures, And Poems: Nature |
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2. | The Self Silenced Man | 02:37 | Show lyrics |
Matt Noojin Composition, Rhythm Guitar & Programming Nile Bowie Production, Lead Guitar, Narrative & Lyrics The Self Silenced Man The formulation of a textural response The blooming idea of production Tapered by echos of once superiority Slide, wooden and lock A pedal, ripe with creativity Walked over and rooted The self silenced man Pressurized, but still Expanding, by finger tip to letter A rippling wave of incompatibility Struggle, struggle Facial expressions lost in numerical void Manufactured Independence Anthem for a torrent world Perseverance for the dollar Motivates the ape Lacerate the reason Grand self expansion In physical measurement We are locked And expired |
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3. | Wisteria in Bloom | 05:11 | Show lyrics |
Nile Bowie All Performance, Composition & Production Wisteria In Bloom SAMPLES TAKEN FROM E. Elias Merhige film "Begotten" © 1991 |
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4. | The Peeling Wall | 04:56 | Show lyrics |
Nile Bowie Vocals & Lyrics, Instruments & Programming Itay Keren Additional Programming The Peeling Wall Even You Heat, the fire Man, great survivor Rain, complete the void Lion, embrace sun Village, under the wave Bullet, seldom age Leader, wipe your snout Ripple, drink now Hey, you see me I’m in trouble Photographed, hold the boy Herd the source, your heart is liable Shells and chambers, we’ll shift away Nonsense dogma, rape the books Planes flew over, domicile I’ve forgotten, eye Dysfunctional Nile, float up soon We will revert |
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5. | A Philosophy Rising | 07:36 | Show lyrics |
Nile Bowie Vocals & Lyrics, Instruments, Programming A Philosophy Rising There is one rite in each man An independent temple of mercy Entheogens burn in the temple’s fire We are the masters of the temple’s destruction When the horrors and pains of life Outweigh the horrors of death Naked and screaming We accept the corrosive of life Like salt on a severed limb The great tragedy is ourselves From mechanical perspectives Our nature is a cancerous struggle The worm does not choose the hook But consider your affinity to it |
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6. | The Last Man Alone with God | 08:38 | Show lyrics |
Nile Bowie Vocals & Lyrics, Programming & Production The Last Man Alone With God Still, the Sun God see’s all Halfness in mankind’s duality Ascension through required sacrifice Mason the free of flowering secrets Balance, before the Egotist Age Human being, of old earth An ancient purity lost to us Life lingers in atmospheres beyond our density All must ferment in this stage, to progress Instilled in us, outer capacities Silent in awe, in new physical planes No destination is out, but all within us Our muscles disjoint, bone exposing flowing ossein Worlds outside our density |
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7. | Marble (Fermented) | 03:08 | Show lyrics |
Nile Bowie Composition & Vocals Matt Noojin Guitar & Synth Marble (Fermented) The bone has finally showed Steeped green leaf aroma The powder has lingered It’s face will open The Icon of depravity peers Joy indulged in Marble Lucid, in the valley of diamonds A subtle layer of grain A Mask of soil discarding flesh Which resonates, convulsing on earth When the skin will crack A white feather cascades Drapery of hazel Dissect the antonym The cast has been shed Bandage flaked and worn The segment of moisture The throat has been spun The leader rises And drinks of our fruit |
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8. | Under the General Name | 03:34 | Show lyrics |
Matt Noojin Guitar & Composition Nile Bowie Vocals & Production Under The General Name Whoever considers the final cause of the world will discern a multitude of uses that enter as parts into that result. They all admit of being thrown into one of the following classes: Commodity, Beauty, Language, and Discipline. Under the general name of commodity, I rank all those advantages Which our senses own to nature. This, of course is a benefit which is temporary and mediate, not ultimate, like it’s service to the soul Yet although low it is perfect, in it’s kind; and is the only use of nature Which all men will apprehend. The misery of man appears like childish petulance, when we explore the steady and prodigal provision that has been made for his support and delight o this green ball which floats him through the heavens. What angels invented these splendid ornaments EXCERPTS FROM RALPH EMERSON’S Selected Essays, Lectures, And Poems: Nature |
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9. | The Merovingian | 03:14 | Show lyrics |
Nile Bowie Vocals & Lyrics, Guitar & Production Aliya Zlotkin Piano The Merovingian It hurts to watch my mind limber When the hex cannot be reached Where can I atone? The ache leaches and grows I look through unconscious eyes Down from the pillar I am God in my dreams Beautiful in the mirror of sleep Blocking the window of divine Devoid of liven quality Whose breath is artificial nature The nest is emptied |
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10. | The Great Uninterrupted Shambhala | 07:03 | Show lyrics |
Nile Bowie All Performance & Composition The Great Uninterrupted Shambhala I am the self-explorer, through fission & synthesis A bead of purity on my tongue An orient wisdom resonates, I hear its call And witness its patterns, I am Man, rose ape before me Through what secrets hold, The spontaneity of evolution And the affection of our nature, In sweat we craft structure A cast in linear time, the face of man before The cycles of human behavior To what truth is God’s face in the acquisition of culture? When men of false icons, shape the fortunes of progress A question of divinity through regiment of internal properties An equation of alchemy, In solace we are redeemed The canvas of man suggests, through ageless inscriptions in rock A human capacity, In hidden paths of mentality On the throne of consciousness Unborn, we sit fermenting Veering on the 49th sun We sit and harbor new skin When the day is done Through solitude we find Temporary properties external The sky kisses the day Of the unaware man in marble In uninterrupted tran |
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11. | Once Metropolis | 15:50 | Show lyrics |
Nile Bowie All Performance & Composition Once Metropolis I am buried Wired and high, laced with machinery Relapsed, I’ve joined with the dead city I malfunction in urban ruin, radio wave torture Corrosion of cement and turbine This wasteland is mine |
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01:07:15 |
Opal Sativa
Members | |
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Band members | |
Nile Bowie | Programming, Synth, Guitars, Percussion |
Itay Keren | Programming, Synth, Guitars, Percussion |
Miscellaneous staff | |
Nile Bowie | Producer, Layout |
Itay Keren | Producer |
Eden Lustig | Cover art |
Sly Bris | Layout (additional) |
Tracks | |||
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1. | Opal Sativa (Part 1) | 56:53 | |
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2. | Opal Sativa (Part 2) | 20:04 | |
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01:16:57 |
Band ascii art
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